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Giovanny Corvaja

Born in Padua , Italy on the 30th September 1971, he commenced his studies in goldsmithing at the “Pietro Selvatico” School of Art in Padua, under the teaching of the master goldsmith Francesco Pavan in 1985. During his years of study in Padova he worked privately in the workshop of Francesco Pavan. It is during this period that his first works in titanium and gold emerged (1988-’89) followed by the first pieces he made in gold wire, using a technique of three-dimensional knitting of his own creation (1989-’90). It was at the “Pietro Selvatico” School of Art that he obtained first his “Diploma di Maestro d’Arte” in 1988 and then in 1990, his “Maturità d’Arte Applicata”.
In 1990 he went to the Royal College of Art in London, which is where he met Jacqueline Ryan. After obtaining a Master of Arts Degree in 1992, he returned to Padua with Jacqueline Ryan where he decided to pursue jewellery art on a full-time basis.
In 2001 he transferred to Todi in central Italy. Since 2005 he works as freelance goldsmith artist in Todi and runs his private workshop / training centre there.

GROUP AND SOLO EXIBITIONS:

1989

  • Schmuckszene '89”, Handwerksmesse, Munich, Germany*


1990

  • "Signaturen” Schwäbisch Gmünd, Germany*
  • "Triennale Européenne du Bijou”, Paris, France*


1991

  • “Kunstrai”, Amsterdam, The Netherlands (represented by Galerie Louise Smit)


1992

  • “Schmuckszene '92”, Handwerksmesse, Munich, Germany*
  • “Triennale Européenne du Bijou”, Paris, France*


1993

  • “Facet ’93” Kunsthal, Rotterdam, The Netherlands*
  • “Giampaolo Babetto-Giovanni Corvaja”, Galerie Treykorn, Berlin, Germany
  • “Broches and Pins”, Galerie Hélène Porée, Paris, France


1994

  • “Schmuckszene '94”, Handwerksmesse, Munich, Germany*


1995

  • Camera di Commercio di Terni, Terni, Italy
  • Galerie Slavik, Vienna, Austria
  • “Ars Ornata Europeana”, Bratislava, Slovakia*


1996

  • “Oreficeria di ricerca” Associazione Culturale FATTIDARTE, Piacenza, Italy*
  • “SOFA” Chicago Art Fair, Chicago, USA (represented by Charon Kransen)
  • “Jacqueline Ryan and Giovanni Corvaja”, Galerie Hélène Porée, Paris, France
  • “Repetitions II”, travelling exhibition, USA
  • “... du contemporain Bijoux et Orfèvrerie de créateurs”, Cagnes sur Mer, France*
  • “Kunstrai”, Amsterdam, The Netherlands (represented by Galerie Ademloos)
  • Galerie Sophie Lachaert, Gent, Belgium*
  • “Jacqueline Ryan and Giovanni Corvaja”, Studio Herta Zaunschirm, Zurich, Switzerland
  • “Oreficeria di ricerca”, Associazione Culturale FATTIDARTE, Venice, Italy
  • Studio Herta Sophie Zaunschirm, Zurich, Switzerland
  • “Granulation”, travelling exhibition, Germany*


1997

  • “Jacqueline Ryan and Giovanni Corvaja”, Galerie Slavik, Vienna, Austria
  • “Schmuck '97”, Handwerksmesse, Munich, Germany*
  • “SOFA” Miami, USA, (represented by Charon Kransen)*
  • “Jewellery at the End of the Millennium”, Associazione Culturale FATTIDARTE ,Piacenza, Italy*
  • “SOFA” Chicago, USA,(represented by Charon Kransen)
  • “In neuer Reihung” (Friedrich Wilhelm Müller Competition), travelling  exhibition, Germany*


1998

  • “A Genetic Messenger of Happiness”, Gallery Artin, Tokyo, Japan
  • “Schmuck '98”, Handwerksmesse, Munich, Germany*
  • “Schmuck aus Padua”, Landesmuseum Joanneum, Graz, Austria*
  • “SOFA” New York, USA,(represented by Charon Kransen)
  • “Jacqueline Ryan-Giovanni Corvaja”, Galerie Treykorn, Berlin, Germany
  • “Kunstrai”, Amsterdam, The Netherlands (represented by Galerie Louise Smit)
  • “Jewellery Moves” National Museum  of  Scotland, Edinburgh, Scotland*
  • “Jacqueline Ryan- Giovanni Corvaja”, Galerie Louise Smit, Amsterdam, The Netherlands
  • “SOFA” Chicago, USA,(represented by Charon Kransen)


1999

  • “Selection '99” Design Zentrum Nordrein-Westfalen, Essen, Germany
  • “Hommage an Dr. Herbert Hofmann”, Galerie Handwerk, Munich, Germany
  • “SOFA” New York, USA,(represented by Charon Kransen)
  • “Kunstrai”, Amsterdam, The Netherlands (represented by Galerie Louise Smit)
  • “Jacqueline Ryan-Giovanni Corvaja”, Galerie Aurum, Frankfurt, Germany
  • “Jacqueline Ryan- Giovanni Corvaja, new work”, The Scottish Gallery, Edinburgh, Scotland
  • “Für Dich-für Mich”, Schwäbisch Gmünd, Germany (travelling exhibition)
  • “Zehnjähriges Jubilaeu”, Galerie Slavik, Vienna, Austria*
  • “SOFA” Chicago, USA,(represented by Charon Kransen)
  • “Jacqueline Ryan-Giovanni Corvaja”, Galerie Viceversa, Lausanne, Switzerland
  • “The Eye’s Delight” Contemporary Arts and Crafts in Germany, Erfurt, Germany*
  • “20th Century Arts Fair” New York, USA,(represented by Charon Kransen)


2000

  • “Sotheby’s Contemporary Decorative Arts Selling Exhibition”, London, England
  • “Jacqueline Ryan-Giovanni Corvaja” showcase, Musée de l’horologerie et de l’émaillerie, Geneva, Switzerland
  • “Jacqueline Ryan-Giovanni Corvaja”,  Galerie Slavik, Vienna, Austria
  • “SOFA” New York, USA,(represented by Charon Kransen)
  • “Expo Vetrine” Galerie Neuer Schmuck, Hannover, Germany
  • “The Ego Adorned” 20th-Century Artists’ Jewellery, Antwerpen, Belgium*
  • “Jacqueline Ryan-Giovanni Corvaja”, Galerie Hilde Leiss, Hamburg, Germany
  • “SOFA” Chicago, USA,(represented by Charon Kransen)
  • “20th Century Arts Fair” New York, USA,(represented by Charon Kransen)
  • “Assymetry and Harmony”, PLAZA Building of the Commerz Bank, Frankfurt, Germany*
  • “9. Erfurter Schmucksymposium” Barfüßerkirche, Erfurt, Germany*


2001

  • “Micromegas” Bayerischer Kunstgewerbe Verein, Munich, Germany *
  • “SOFA” New York, USA,(represented by Charon Kransen)
  • “Contemporary Craft from the Scottish Gallery” Thomas Goode & Son, London, England
  • “Kunstrai”, Amsterdam, The Netherlands (represented by Galerie Louise Smit)
  • “SOFA” Chicago, USA,(represented by Charon Kransen)
  • “20th Century Arts Fair” New York, USA,(represented by Charon Kransen)
  • “Nocturnus” Muhu Island, Estonia*


2002

  • “Micromegas”  Musée de l’horologerie e de l’émaillerie, Geneva, Switzerland*
  • “Jacqueline Ryan and Giovanni Corvaja - New Work” Galerie Tactus, Copenhagen, Denmark
  • “SOFA” New York, USA,(represented by Charon Kransen)
  • “Kunstrai”, Amsterdam, The Netherlands (represented by Galerie Louise Smit)
  • “Jubiläumsausstellung Erfurter Schmucksymposien” Angermuseum Erfurt, Germany
  • “Orfèvrerie de Recherche”, Banque du Gothard, Montecarlo, Monaco
  • “Art Jewellery”, Plateaux Gallery, London, England
  • “20th Century Arts Fair” New York, USA,(represented by Charon Kransen)
  • “SOFA” Chicago, USA,(represented by Charon Kransen)
  • “Das War’s Also”, Gallery Handwerk, Munich, Germany
  • “Masterpieces” - Centenary Exhibition of applied modern arts (1902.2002)  Palazzo Bricherasio, Turin, Italy
  • “Micromegas” Gallery Yu, Hiko Mizuno College of  Jewellery, Tokyo, Japan*


2003

  • “Contemporary Decorative Arts Selling Exhibition 2003” Sotheby’s London England
  • “Micromegas” Power House Museum, Sydney, Australia*
  • “Jubiläumsausstellung Erfurter Schmucksymposien” Schmuckmuseum Pforzheim, Germany
  • “Jacqueline Ryan and Giovanni Corvaja – New Work” Bayerischer Kunstgewerbe Verein, Munich, Germany
  • “Micromegas” John Curtin Gallery, Perth, Australia*
  • “Jacqueline Ryan and Giovanni Corvaja – New Work” Bijouterie Jungblut-Thijssen, Luxembourg
  • “Micromegas” Museo degli Eremitani, Padova, Italy
  • “SOFA” New York, USA,(represented by Charon Kransen)
  • “SOFA” Chicago, USA,(represented by Charon Kransen)
  • “Jacqueline Ryan and Giovanni Corvaja – New Work” Galerie Hilde Leiss, Hamburg, Germany


2004

  • “Palm Beach Contemporary Art and Design Fair” Florida, USA (represented by Charon Kransen)
  • “Collect” Victoria and Albert Museum, London, England
  • “SOFA” New York, USA,(represented by Charon Kransen)
  • Jacqueline Ryan-Giovanni Corvaja, Galleria “Le Arti Orafe” Firenze*
  • “SOFA” Chicago, USA,(represented by Charon Kransen)
  • “L’or, Bijoux D’Europe” Travelling exhibition in France*
  • Atelier Munsteiner,  Stipshausen, Germany*
  • Giovanni Corvaja, Shedler Schmuck, Luzern, Switzerland


2005

  • “EXEMPLA” The Universe of Metals, International Trade Fair, Munich, Germany
  • “Ryan and Corvaja” Electrum Gallery, London, UK
  • Palm Beach Contemporary Art and Design Fair, Florida, USA (represented by Charon Kransen Arts)
  • Lucca Preziosa, International Contemporary jewellery exhibition, Lucca, Italy *
  • “SOFA” (Sculptural objects and functional art), New York, USA (represented by Charon Kransen Arts)
  • “SOFA”  (Sculptural objects and functional art), Chicago, USA (represented by Charon Kransen Arts)
  • “Temptations”, Cheongiu International Craft Biennale 2005, Cheongiu, Southern Korea *
  • Galleria Maurer-Ziglioli, Desenzano del Garda, Italy


2006

  • “Inhorgenta Europe” demonstration on the use of the SPIRFLAME® at the booth of the company Spirig. Munich, Germany
  • Giovanni Corvaja solo exhibition at gallery Hipotésis, Barcelona, Spain
  • Palm Beach Contemporary Art and Design Fair, Florida, USA (represented by Charon Kransen Arts)
  • “SOFA” (Sculptural objects and functional art), New York, USA (represented by Charon Kransen Arts)
  • “SOFA”  (Sculptural objects and functional art), Chicago, USA (represented by Charon Kransen Arts)
  • “New Italian Design” at the Triennale di Milano, Milan, Italy


2007
 

  • Giovanni Corvaja, solo exhibition, Gallery Katherine Kalaf, Perth, Western Australia
  • “Signs of Value” Deutsches Goldschmiedehaus Hanau, Germany*
  • “Baselworld” demonstration on the use of the SPIRFLAME® at the booth of the company Spirig. Basel, Switzerland
  • “Bite the bullet” exhibition at Harvey Nichols, Manchester, UK
  • Gallery “Ab Ovo”, opening exhibition. Todi, Italy
  • Palm Beach Contemporary Art and Design Fair, Florida, USA (represented by Charon Kransen Arts)
  • “SOFA” (Sculptural objects and functional art), New York, USA (represented by Charon Kransen Arts)
  • “SOFA”  (Sculptural objects and functional art), Chicago, USA (represented by Charon Kransen Arts)

(* catalogue)

TEACHING EXPERIENCES:

1998

  • Masterclass about the ancient etruscan technique of granulation at the Edinburgh College of Art in Scotland.
  • Lecture about his work and the result of the masterclass at a conference organised by the Association for Contemporary Jewellery.


1999

  • Lecture over the research for lightness in his work at a design seminar entitled “Reden über Gestaltung” in Potsdam (Germany).


2000

  • “Masters of the 21st century” Lecture about his work at “SOFA” New York, USA.
  • “9th Jewellery Symposium”, Erfurt, Germany.


2001

  • “Granulation Antike Geheimnisse für das 21. Jahrhundert” Summer Workshop on Granulation at Zeichenakademie Hanau, Germany


2002

  • Platinum course at the Estonian Art Academy,  Tallinn, Estonia
  • Lecture at SNAG conference and post conference workshop on Platinum, Denver, Colorado, USA.
  • Granulation course at the Haywood Community College, Asheville, North Carolina, USA
  • Granulation course at the University of Central England, Birmingham, England
  • “Granulation Antike geheimnisse für das 21.Jarhundert” Summer Workshop on Granulation at Zeichenakademie Hanau, Germany
  • Granulation course at the “ Schulzentrum Weggismatt”,  Luzern, Switzerland



2003

  • Granulation course “Le Arti Orafe” Jewellery School, Florence, Italy
  • Visiting lecturer at “Le Arti Orafe” Jewellery School, Florence, Italy


2004

  • Visiting lecturer at “Le Arti Orafe” Jewellery School, Florence, Italy
  • Granulation course “Le Arti Orafe” Jewellery School, Florence, Italy
  • Granulation course at the University of Central England, Birmingham, England
  • Masterclass on the use of wire in jewellery at Le Arti Orafe” Jewellery School, Florence, Italy
  • Masterclass on the use of wire in jewellery at the “ Schulzentrum Weggismatt”, Luzern, Switzerland


2005

  • Granulation course at the University of Central England, Birmingham, England
  • Masterclass on the use of wire in jewellery at the University of Central England, Birmingham, England
  • Masterclass on the use of precious metals wires at the Akademie für Gesatltung in München, Germany
  • Lecture on the development of his work at “Lucca Preziosa”, Villa Bottini, Lucca Italy
  • Lecture on the development of his work at the Handwerkskammer Für München und Oberbajern  München, Germany


2006

  • Platinum course at the Estonian Art Academy,  Tallinn, Estonia
  • Masterclass on the use of wire in jewellery in Barcelona, Spain
  • Masterclass on the use of precious metals wires at the Akademie für Gesatltung in München, Germany
  • Member of the jury for the R.R.Hafner award 2006
  • Granulation masterclass at “Alchimia” jewellery school, Florence, Italy
  • Microflaming masterclass at “Le Arti Orafe” Jewellery school, Lucca Italy


Planned for 2007

  • Granulation course for GMJA members, Perth, Western Australia
  • Lecture on his work at “Form”, Perth, Western Australia
  • Lecture on his work at “Vancouver Art Centre”, Albany, Western Australia
  • Lecture on his work at “Kent State University, Florence program” Florence, Italy
  • Lecture on his work at “Ars Ornata Europeana” Manchester, England
  • Masterclass on the use of wire in jewellery at the University of Central England, Birmingham, England
  • Masterclass on the use of precious metals wires at the Akademie für Gesatltung in München, Germany






AWARDS:

1990
3rd  Prize “Signaturen”, Schwäbisch Gmünd, Germany

1991
2nd Prize “Worshipful Company of Gold and Silver Wyre Drawers Competition”, London, England

1992
“Herbert Hofmann Prize”, Munich, Germany

1996
2nd Prize “Granulation ‘96”, Pforzheim, Germany

1997
“Bayerischer Staatspreis”, Munich, Germany

1998
“Prize for Highly Commended Work”, International Jewellery Competition ‘97, Tokyo, Japan
Prize of the “Unione Regionale delle Camere di Commercio dell’Umbria”, Terni, Italy



WORK IN PUBLIC COLLECTIONS:


1992
Die Neue Sammlung, Staatliches Museum Fuer Angewandte Kunst (Collection “Benno und Therese Danner'sche Kunstgewerbestiftung”), Munich, Germany
Royal College of Art Public Collection, London, England
Ayrton Metals Platinum Collection, London, England

1996
Musée des Arts Décoratifs, Montreal, Canada
Musée des Arts Décoratifs, Paris, France


1998
Landesmuseum Joanneum, Graz, Austria

1999
National Museum of Scotland, Edinburgh, Scotland
Museum für Kunst und Gewerbe, Hamburg, Germany
Kunstgewerbemuseum, Berlin, Germany

2003
Toledo Museum of Art, Toledo, Ohio, Usa

2004
Victoria and Albert Museum, London, England
Newark Museum of Arts, Newark New Jersey, U.S.A.

2005
Museum für Kunst und Gewerbe, Hamburg, Germany

2006
Schmuckmuseum Pforzheim, Germany



CATALOGUES, ARTICLES AND PUBLICATIONS:

 

  • * ( exhibition Catalogue) SCHMUCKSZENE 89 Internationale Schmuckschau. Sonderschau der 41. Internationalen Handwerksmesse, Munich, Germany 1989
  • * (exhibition Catalogue) SIGNATUREN. INTERNATIONALES SCHMUCKWETTEWERB «AUS GOLD UND SILBER ». Hrsg. Stiftung Gold-und Silberschmiedekunst. Städtisches Museum in Prediger. Schwäbisch Gmünd Germany 1990
  • * (exhibition Catalogue) TRIENNALE DU BIJOU. Paris, France 1990
  • * (exhibition Catalogue) SCHMUCKSZENE 92 Internationale Schmuckschau. Sonderschau der 44. Internationalen Handwerksmesse, Munich, Germany 1992
  • *(exhibition Catalogue) IIIEME TRIENNALE DU BIJOU. Musée des Arts Décoratifs, Paris, France 1992
  • * (exhibition Catalogue) SCHMUCKSZENE 93 Internationale Schmuckschau. Sonderschau der 45. Internationalen Handwerksmesse, Munich, Germany 1993
  • * ( exhibition catalogue) SCHMUCK: DIE SAMMLUNG DER DANNER-STIFTUNG. Bestandskatalog. Schriftenreihe des Bayerischen Kunstgewerbe-Verein e.V., Helft 4. Galerie für angewandte Kunst. Munich 1993
  • * (exhibition Catalogue) FACET 1. INTERNATIONAL JEWELLERY BIENNALE. Kunsthal, Rotterdam. Gent The Nederlands 1993
  • * (exhibition Catalogue) SCHMUCKSZENE 94 Internationale Schmuckschau. Sonderschau der 46. Internationalen Handwerksmesse, Munich, Germany 1994
  • * (exhibition catalogue) SCHMUCKKUNST DER MODERNE – GROßBRITANNIEN. Landesmuseum. Mainz, Germany 1995
  • * DANNER STIFTUNG – TÄTIGKEITSBERICHT 1995. Munich, Germany 1995
  • * (exhibition catalogue) Granulation 1996. Internationaler Schmuckwettewerb. Hrsg. Gesellschaft für Goldschmiedekunst e.V. Munich, Germany 1996
  • * (exhibition catalogue) DU CONTEMPORAIN. BIJOUX ET ORFEVRERIE DE CREATEURS. Château Musée. Cagnes-sur-Mer, France 1996
  • * (exhibition catalogue) OREFICERIA DI RICERCA. Associazione culturale “Fattidarte” Piacenza, Italy 1996
  • * Folchini Grassetto, G. GRAFICA E OGGETTI D’ARTE. CATALOGO DELL’ARTE MOLTIPLICATA IN ITALIA, N° 24 Ed. Mondatori, Milano, Italia 1996.
  • * (exhibition Catalogue) SCHMUCK 97 Internationale Schmuckschau. Sonderschau der 49. Internationalen Handwerksmesse, Munich, Germany 1997
  • * (exhibition catalogue) IN NEUER REIHUNG. FRIEDRICH WILLHELM MÜLLER WETTEWERB 1997. Museum für Natur & Stadtkultur. Schwäbisch Gmünd Germany 1997
  • * (exhibition catalogue) GIOIELLI DI FINE MILLENNIO. Associazione culturale “Fattidarte” Piacenza, Italy 1997
  • * Lucas, F. “EINE HANDWERKSHARMONIE-GALERIE SLAVIK/WIEN” GZ Journal, Ruhle-Diebener-Verlag, 4/1997, Germany p. 166
  • *Bach, B. “FOCUS: GOLDEN FABRICS-GIOVANNI CORVAJA” Jewellery Magazine, Ebner Verlag publisher, 5/1997, Germany, (p.85)
  • * Bayou, H/De Cerval, M. DICTIONAIRE INTERNETIONAL DU BIJOU. Paris, France 1998
  • * (exhibition Catalogue) SCHMUCK 98 Internationale Schmuckschau. Sonderschau der 50. Internationalen Handwerksmesse, Munich, Germany, 1998
  • * (exhibition catalogue) Game, A. Goring. E. JEWELLERY MOVES. ORNAMENT FOR THE 21ST CENTURY. National Museum of Scotland. Edinburgh, Scotland, 1998
  • *Quattordio, A. “AFFARI DI FAMIGLIA” Arte In, Anno XI numero 53 (Gennaio/Febbraio 1998), Italy, p.80
  • * (exhibition catalogue) Marko, E. SCHMUCK AUS PADUA. Landesmuseum Joanneum. Graz, Austria, 1999
  • * (exhibition catalogue) AUGENLUST. ZEIGENÖSSISCHES KUNSTHANDWERK IN DEUTSCHLAND MIT EUROPÄNISCHEN GASTBEITRÄGEN. Galerie am Fischmarks und galerie Waidspeicher, Erfurt. Frankfurt a. M. Germany 1999
  • * (exhibition catalogue) SCHMUCK. KUNST AM KÖRPER. Galerie Slavik. Wien, Austria. 1999
  • * “JACQUELINE RYAN, GIOVANNI CORVAJA-ART JEWELLERY"  Edizioni Canova publisher, Treviso, Italy, 1999 (ISBN-88-87061-66-1)
  • * Jaunin, F. “VERTIGES TISSES D’OR ET DE TITANE” Le 24 Heures, jeudi 18 novembre 1999, Lausanne, Switzerland
  • * Schmuck 2000 Rückblick und Visionen. Ulm, Germany, 1999
  • * Mina, J. "WINNING GOLD AT THE FESTIVAL" The Independent newspaper weekend review, UK, 21st August 1999 (no. 4,008), p.18
  • * Watkins, D. “DESIGN SOURCEBOOK” New Holland publisher, London, 1999 (ISBN-1-859740782)
  • * (exhibition catalogue) 10 Jahre Galerie Treykorn am Savignyplatz. Galerie Treykorn. Berlin, Germany 2000
  • *Mina, J. “JACQUELINE RYAN, GIOVANNI CORVAJA-ART JEWELLERY” Book Reviews, Crafts Magazine, UK, no.162 January/February 2000, p.61
  • *Lambert, S. “THE RING: DESIGN, PAST AND PRESENT” March 2000, Rotovision publisher, France, (ISBN/ASIN 288 046 3173)
  • * Bellavista, C. "SLOW IS BEAUTIFUL-GIOVANNI CORVAJA AND JACQUELINE RYAN"  Schmuck Magazin, Ebner Verlag publisher, Germany, 3/2000 July, p.76
  • * Lehner-Jobst, C. “KONGENIALE PERFEKTION UND POESIE (JACQUELINE RYAN UND GIOVANNI CORVAJA IN DER GALERIE SLAVIK”  Parnass, Parnass Verlag, Vienna May/August 2000, no.2, Austria, p.104
  • * (exhibition catalogue) 9. ERFURTER SCHMUCKSYMPOSIUM. Barfüßerkircher/Angermuseum. Erfurt, Germany 2000
  • * (exhibition catalogue) Walgrave j. THE EGO ADORNED. 20TH CENTURY ARTIST’S JEWELLERY. Koningin Fabiolazaal. Antwerpen, Belgium, 2000
  • * (exhibition catalogue) ASYMMETRIE UND HARMONIE. Gesellschaft für Goldschmiedekunst e.V. Mitgliederasstellung. Hrsg. Commerzbank Frankfurt und Gesellschaft für Goldschmiedekunst e.V. Commerzbank Plaza. Frankfurt a. M., Germany 2000
  • * 100 SCHMUCKSTÜKE 2001. Ulm, Germany 2001
  • * (exhibition  catalogue) MIKROMEGAS. Schriftenreihe des Bayerischen Kunstgewerbe-Vereins e.V., Band 27 Galerie für angewndte Kunst, Munich, Germany 2001
  • * Simon, M. "SMOKE AND FIRE IN GOLD-GIOVANNI CORVAJA AND JACQUELINE RYAN" Metalsmith Magazine, summer 2001 (vol. 21 no. 3) p.16, USA
  • * Pallavidini, R.“GIOIELLO CREATIVO: GIOVANNI CORVAJA E JACQUELINE RYAN” Gioielli e Bijoux del XX secolo, nr. 3 (2001), DeAgostini publisher, Italia, p.50
  • * (exhibition catalogne) NOCTURNUS. INTERNATIONAL JEWELLERY ART EXHIBITION AND NOCTURNAL COLLOQUY. Org. Estonian Accademy of Arts, metal Art Departement. Prädaste, Island of Muhu. Tallinn, Estonia, 2001
  • * CRONIK DER GALERIE FÜR ANGEWNDTE KUNST DES BAYERISCHEN KUNSTGEWERBE-VEREINS E.V. 150 Jahre Bayerischen Kunstgewerbe-Vereins Nr 26 Munich, Germany 2001
  • * (exhibition catalogue) EXPERIMENT SCHMUCK. DAS ERFURTER SCHMUCKSYMPOSIUM 1984-2004 ANGERMUSEUM ERFURT, GERMANY, 2002
  • * Battistoni, L. “UNO SPLENDORE DI GIOIELLI” Città Viva, anno XVII n.2 marzo/aprile, 2002, Todi, Italia, p.50
  • * Spagnesi, L. “IL TESORO DI MONTECARLO: L’ARTE DEI RE” Arte, Editoriale Mondadori, settembre 2002 n.349, Italia, p.112
  • * 50 EINZIGARTIGE SCHMUCKGESSCHÄFTE + 10 GALERIEN. Ulm, Germany, 2002
  • * (exhibition catalogue) 5. ATELIERAUSSTELLUNG. ATELIER MUNSTEINER. Stipshausen, Germany 2004
  • * (exhibition catalogue) Bemporad, D. L. JACQUELINE RYAN, GIOVANNI CORVAJA. Org. Le Arti Orafe Art Gallery, Florence, Italy 2004
  • *  (exhibition catalogne) L’OR, BIJOUX D’EUROPE – GOLD, JEWELLERY OF EUROPE. Château Musée. Cagnes-sur-Mer, France 2004
  • * (exhibition catalogne) LUCCA PREZIOSA. OREFICERIA EUROPEA CONTEMPORANEA Org. Comune di Lucca. Villa Bottini, Lucca, Italy 2005
  • * (exhibition catalogue) “Temptations”, Cheongiu International Craft Biennale 2005, Cheongiu, Southern Korea
  • 1000 RINGS. Larks books, New York, U.S.A. 2004
  • 500 BROOCHES. Larks books, New York, U.S.A. 2005
  • 500 BRACELETS. Larks books, New York, U.S.A. 2005
  • 500 EARRINGS. Larks books, New York, U.S.A. 2005